Music Composition

Dear composers and nominators:

The nomination portal for the 2027 Grawemeyer Award for Music Composition is now closed. The public announcement will be made on or around December 1, 2026 and the award will made during March or April 2027. Many thanks to all of you who made nominations this year. Nominations for the 2028 Award will open on or around December 1, 2028.

Matthew Ertz
Director,
Grawemeyer Award for Music Composition

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Description

Music has the ability to inspire, to bring joy to those who hear it and those who create it. It can convey great emotion in just a few powerful notes. There is, perhaps, no greater expression of the human spirit. For this reason, the Grawemeyer Award for Music Composition honors those who bring beauty and inspiration into the world.

The University of Louisville offers an international prize in recognition of outstanding achievement by a living composer in a large musical genre: choral, orchestral, chamber, electronic, song-cycle, dance, opera, musical theater, extended solo work and more. The award will be granted for a work premiered during the five-year period prior to the award deadline.

Prize Amount
The Grawemeyer Award for Music Composition is accompanied by a prize of $100,000, which is presented in full during the awards ceremony.

Eligibility
Musical works including, but not limited to, choral, orchestral, chamber, song-cycle, dance, opera, musical theater, extended solo.

In 1983, Charles Grawemeyer met with Dr. Jerry Ball, dean of the University of Louisville School of Music, to discuss establishing a prize in music, but Mr. Grawemeyer wasn’t sure what it should honor. So they talked and settled on composition, with Mr. Grawemeyer concluding, according to Dr. Ball, “If we did something like this perhaps we could find another Mozart.”

Music composition became the first of the five Grawemeyer award categories. Being first, it took almost two years to work out all the details of the program. The Nobel process was studied and incorporated in part. But Mr. Grawemeyer wanted what he termed a more “democratic” judging, eventually involving three levels: the U of L music faculty, an international jury of professionals and a lay (non-professional, but knowledgeable) panel.

In 1985, the first Grawemeyer Award for Music Composition went to Witold Lutoslawski, a Polish composer, for his Symphony No. 3.

Since then the Grawemeyer Award has achieved international recognition as the premier music composition award, regularly attracting between 150 and 200 entries from around the world.

“Charlie Grawemeyer could have gone to any school in the country, to any orchestra, any opera company, any place he might want to go to offer this prize. It’s wonderful that he kept it at home and honored his university,” said Ball.

Nominations

The nomination portal for the 2027 Grawemeyer Award for Music Composition is now closed. Nominations for the 2028 Award will open on or around December 1, 2026.

Description

Music has the ability to inspire, to bring joy to those who hear it and those who create it. It can convey great emotion in just a few powerful notes. There is, perhaps, no greater expression of the human spirit. For this reason, the Grawemeyer Award in Music Composition honors those who bring beauty and inspiration into the world.

The University of Louisville offers an international prize in recognition of outstanding achievement by a living composer in a large musical genre: choral, orchestral, chamber, electronic, song-cycle, dance, opera, musical theater, extended solo work and more. The award will be granted for a work premiered during the five-year period prior to the award deadline, January 1, 2021 to December 31, 2025.

Prize Amount

The Grawemeyer Award for Music Composition is accompanied by a prize of $100,000 (US), which is presented in full during the awards ceremony.

Eligibility

Musical works including, but not limited to, choral, orchestral, chamber, song-cycle, dance, opera, musical theater, extended solo. Current University of Louisville faculty, staff and students are not eligible. Graduates from the University of Louisville must wait five (5) years before they can be nominated.

Judging Criteria
Works that exhibit excellence, innovation and the power of ideas.

Nominees
Composers.

Nominators
Any organization or individual with a reasonable professional connection to the nominee and the nominated work. Examples would include professional musical organizations, performers or performing groups, soloists, conductors, critics, publishers or heads of professional music schools or departments.

Nomination Procedure
Submission of a physical full score and electronic submission, through our online nomination form, of a recording of a professional-level performance of the complete work, documentation of the premiere, supporting letter from the nominator, the composer’s biography, and the completed online nomination form. Submission details follow in the online nomination form. The nomination form will include an entry agreement that will include that the score and recording will be kept by the University for archival purposes and details other requirements.

The University of Louisville invites the submission of scores by outstanding composers throughout the world and has established the following rules and procedures for its selection of the winning work:

Each nomination for the Grawemeyer Music Award must be nominated by a professional musical organization or individual, as described above. A composer may not submit his or her own work. No more than one work of any composer may be submitted, and nominations from previous winners of this award will not be considered.

  • One physical bound copy of the full score. This is the only item to be physically mailed to the University at the address provided in the online nomination form. A grace period of 7-10 days after the deadline is normally given to allow scores to arrive.

The remaining materials will be submitted electronically in the online nomination form:

    • One excellent quality recording of the complete work (MP3, WAV, FLAC, MP4 or MOV). For multi-movement works, you may upload a single .zip file containing all of the movements.  Please omit tuning, opening applause, spoken commentary such as radio interviews or conductor’s remarks, or any other extraneous material at the beginning or end of the audio files. Video should only be uploaded if the work includes a significant visual component.
    • Documentation of the premiere public performance of the work between 1 January 2021 and 31 December 2025 (PDF). A radio broadcast or sound recording does not constitute a premiere. The printed program from the premiere performance is preferred. However, if this is not available, another form of documentation, such as a published review, or a newspaper or magazine article, will be accepted.  Only one form of documentation should be included. Works may be resubmitted during the period of eligibility.
    • Program notes and texts/libretto (if applicable) in English or with English translation (PDF).
    • Supporting letter in English from the nominator (PDF), which must state nominator’s relation to the submitted work and nominator’s belief in the outstanding qualities of the work.
    • Composer’s biography in English, which should briefly outline the composer’s total achievement and recognition.
    • Completed nomination form in English.
    • Non-refundable handling fee of fifty dollars ($50.00 in U.S. currency). Payment must be made at the credit card link in the online nomination form (Visa and Mastercard Only).    
    • In the case of resubmission, entrants need not resubmit scores or recordings as these will be retrieved from the Grawemeyer Collection of Contemporary Music. However, all other required materials must be resubmitted, and the handling fee paid.
    • Please send only materials requested. Do not include press kits, reviews, articles, recordings of other works, etc.

If the work is a resubmission from a previous year, you may still upload a new recording and send a new score but may opt to not provide a recording and score and instead use the archived score and recording from the Grawemeyer Collection of Contemporary Music.

Completed nominations for the Grawemeyer Award must reach the University of Louisville by January 30, 2026. The University of Louisville will acknowledge receipt of all nominations by email only. Please allow a month after the deadline for such notification. Late or incomplete nominations will not be considered.

The winning composer will be notified in October 2026. The public announcement will be made on or around December 1, 2026, and the award will be made during March or April 2027.

The University of Louisville will retain all entered scores and recorded materials for inclusion in the Grawemeyer Collection of Contemporary Music, a part of the Dwight Anderson Memorial Music Library.

No payment will be made to the estate or heirs of a deceased composer.

Questions may be addressed via e-mail to the Award’s director at matthew.ertz@louisville.edu or grawmus@louisville.edu.

2025 – Christian Mason

For creating “Invisible Threads,” a work that changes how music is usually experienced by employing a spatially shifting ensemble of 12 musicians…

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2024 – Aleksandra Vrebalov

Serbian-American composer Aleksandra Vrebalov has won the 2024 University of Louisville Grawemeyer Award in Music Composition for “Missa Supratext,” a nontraditional choral work for string quartet and girls’ chorus.

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2023 – Julian Anderson

The Notre Dame Cathedral fire and the death of an esteemed colleague influenced the creation of “Litanies,” said Julian Anderson, a British composer named today as winner of the 2023 Grawemeyer Award in Music Composition for the work.

Read More…

2022 – Olga Neuwirth

Austrian composer Olga Neuwirth has won the 2022 University of Louisville Grawemeyer Award for Music Composition for “Orlando,” an opera based on a Virginia Woolf novel about a gender-switching poet whose adventures span more than three centuries.

Read More…

2021 – Lei Liang

Chinese-American composer Lei Liang, an orchestral work evoking the threat posed by climate change and the opportunity it offers for redemption.

Boston Modern Orchestra Project commissioned the winning piece, “A Thousand Mountains, a Million Streams,” which premiered in 2018 in Boston’s Jordan Hall with Gil Rose conducting.

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2020 – No Award Given

2019 – Joel Bons

Dutch composer Joel Bons, “Nomaden,” a one-hour work for cello solo and an ensemble of instruments from diverse cultures.

Read More…

2018 – Bent Sorensen

A triple concerto, “L’isola della Città” (The Island in the City), is for violin, cello and piano soloists and is played continuously in five movements.

Read More …

2017 – Andrew Norman

In three movements, “Play” explores the relationship of choice and chance, free will and control.

Read More …

2016 – Hans Abrahamsen

“let me tell you,” a song cycle for soprano and orchestra, presents a first-person narrative by Ophelia, the tragic noblewoman from Shakespeare’s “Hamlet.”

Read More …

2015 – No Award Given

2011 – Louis Andriessen

“La Commedia,” a multimedia opera by Dutch composer Louis Andriessen, has won the 2011 University of Louisville Grawemeyer Award for Music Composition.

Read More…

2009 – Brett Dean

“The Lost Art of Letter Writing,” a four-movement concerto for violin and orchestra by Australian composer Brett Dean, earned the 2009 University of Louisville Grawemeyer Award for Music Composition.

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2008 – Peter Lieberson

“Neruda Songs”

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2007 – Sebastian Currier

“Static”

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2006 – György Kurtág

“Concertante Op. 42”

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2005 – George Tsontakis

“Violin Concerto No. 2”

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2004 – Unsuk Chin

“Concerto for Violin and Orchestra”

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2003 – Kaija Saariaho

“L`amour de loin”

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2002 – Aaron Jay Kernis

“Colored Field”

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2001 – Pierre Boulez

“Sur Incises”

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2000 – Thomas Adès

“Asyla”

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1998 – Tan Dun

“Marco Polo”

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1997 – Simon Bainbridge

“Ad Ora Incerta — Four Orchestral Songs from Primo Levi”

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1996 – Ivan Tcherepnin

“Double Concerto for Violin, Cello and Orchestra”

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1995 – John Adams

“Violin Concerto”

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1994 – Toru Takemitsu

“Fantasma/Cantos for Clarinet and Orchestra”

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1993 – Karel Husa

“Concerto for Violoncello and Orchestra”

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1992 – Krzysztof Penderecki

“Adagio for Large Orchestra”

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1991 – John Corigliano

“Symphony No. 1”

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1990 – Joan Tower

“Silver Ladders”

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1989 – Chinary Ung

“Inner Voices”

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1987 – Harrison Birtwistle

“The Mask of Orpheus”

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1986 – Gyorgy Ligeti

“Etudes for Piano”

Read More…

1985 – Witold Lutoslawski

“Symphony No. 3”

Read More…

2026 Recipient

Liza Lim

2026 Grawemeyer music composition award goes to Liza Lim for ‘A Sutured World’

Australian composer Liza Lim has won the 2026 Grawemeyer Award for Music Composition for her visionary work “A Sutured World.”

The piece was commissioned by the Bavarian Radio Symphony Orchestra (BRSO)/Musica Viva, Royal Concertgebouw Orchestra, Amsterdam Cello Biennale, Melbourne Symphony Orchestra and Casa da Música Porto for the world-renowned cellist Nicolas Alstaedt.

“A Sutured World” premiered in October 2024 by Alstaedt and the BRSO as part of the Musica Viva Munich concert series. “I love playing this piece more and more…I believe this will be one of the great cello concertos in the future for our repertoire,” Alstaedt said.

Lim is the second Australian (following 2009 laureate Brett Dean) and the sixth woman to receive the prestigious Grawemeyer Award for Music Composition, which has been presented annually since 1985.

“Lim’s work explores themes of unity and healing,” said Grawemeyer Award for Music Composition Director Matthew Ertz, music librarian and associate professor at the University of Louisville’s Anderson Music Library. “Lim’s ability to convey these ideas into the cellist’s intricate and virtuosic passages is astounding and deeply moving.”

“A Sutured World” draws on the beauty of imperfection, with Lim referencing the Japanese art of kintsugi, where broken pottery is repaired with gold lacquer to highlight, rather than conceal, its fractures. “The cellist weaves together contrasting worlds—the lyrical, the raw, the playful, and the absurd—each a facet of a spiritual journey,” Lim said.

Lim is one of the world’s most celebrated contemporary composers, with commissions, residencies and performances from leading festivals, ensembles and organizations worldwide. She holds the Sculthorpe Chair of Australian Music at the Sydney Conservatorium of Music (University of Sydney).

In recognition of her path-opening contributions to the field, she was named the 2026 recipient of the Roche Commission. Lim is the first musician to be awarded an Australian Research Council Laureate Fellowship (2025–29), supporting research that addresses climate and social challenges through music.

“I hope this recognition helps to shine a light on the vital role that music can play in shaping our understanding of the world and in responding to the urgent challenges we face,” Lim said. “It’s both humbling and inspiring to be counted among such composers as Harrison Birtwistle, Krzysztof Penderecki and Kaija Saariaho whose work has deeply influenced my own artistic journey.”

 

Video Interviews with Past Recipients

Trio tries to escape shadows of the orchestra in L’isola della Città
2018 Music Composition Recipient Bent Sorensen

‘Play’ Explores Choice and Chance, Free Will and Control
2017 Music Composition Recipient Andrew Norman

Adding Emotional Depth and Nuance to Limited Words
2016 Music Composition Recipient Hans Abrahamsen

Music has the Power to Make our Lives Better
2014 Music Composition Recipient Djuro Zivkovic

An Innovative Fusion of Musical and Visual Art
2013 Music Composition Recipient Michel van der Aa

Eclectic Influences and Distinct Personality
2012 Music Composition Recipient Esa-Pekka Salonen

Multimedia Opera Drawn from Dante
2011 Music Composition Recipient Louis Andriessen

Inspired by Music, Love
2010 Music Composition Recipient York Hoeller

Interview With Brett Dean
2009 Music Composition Recipient Brett Dean

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